Tuesday, February 19, 2008

Chapter I

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IN WHICH PHILEAS FOGG AND PASSEPARTOUT ACCEPT EACH OTHER,
THE ONE AS MASTER, THE OTHER AS MAN



Mr. Phileas Fogg lived, in 1872, at No. 7, Saville Row, Burlington
Gardens, the house in which Sheridan died in 1814. He was one of
the most noticeable members of the Reform Club, though he seemed
always to avoid attracting attention; an enigmatical personage,
about whom little was known, except that he was a polished man
of the world. People said that he resembled Byron--at least
that his head was Byronic; but he was a bearded, tranquil Byron,
who might live on a thousand years without growing old.

Certainly an Englishman, it was more doubtful whether Phileas Fogg
was a Londoner. He was never seen on 'Change, nor at the Bank,
nor in the counting-rooms of the "City"; no ships ever came into
London docks of which he was the owner; he had no public employment;
he had never been entered at any of the Inns of Court, either at the Temple,
or Lincoln's Inn, or Gray's Inn; nor had his voice ever resounded
in the Court of Chancery, or in the Exchequer, or the Queen's Bench,
or the Ecclesiastical Courts. He certainly was not a manufacturer;
nor was he a merchant or a gentleman farmer. His name was strange
to the scientific and learned societies, and he never was known
to take part in the sage deliberations of the Royal Institution
or the London Institution, the Artisan's Association, or the
Institution of Arts and Sciences. He belonged, in fact,
to none of the numerous societies which swarm in the English capital,
from the Harmonic to that of the Entomologists, founded mainly
for the purpose of abolishing pernicious insects.

Phileas Fogg was a member of the Reform, and that was all.

The way in which he got admission to this exclusive club
was simple enough.

He was recommended by the Barings, with whom he had an open credit.
His cheques were regularly paid at sight from his account current,
which was always flush.

Was Phileas Fogg rich? Undoubtedly. But those who knew him
best could not imagine how he had made his fortune, and Mr. Fogg
was the last person to whom to apply for the information. He was
not lavish, nor, on the contrary, avaricious; for, whenever he knew
that money was needed for a noble, useful, or benevolent purpose,
he supplied it quietly and sometimes anonymously. He was, in short,
the least communicative of men. He talked very little, and seemed
all the more mysterious for his taciturn manner. His daily habits
were quite open to observation; but whatever he did was so exactly
the same thing that he had always done before, that the wits
of the curious were fairly puzzled.

Had he travelled? It was likely, for no one seemed to know
the world more familiarly; there was no spot so secluded
that he did not appear to have an intimate acquaintance with it.
He often corrected, with a few clear words, the thousand conjectures
advanced by members of the club as to lost and unheard-of travellers,
pointing out the true probabilities, and seeming as if gifted with
a sort of second sight, so often did events justify his predictions.
He must have travelled everywhere, at least in the spirit.

It was at least certain that Phileas Fogg had not absented himself
from London for many years. Those who were honoured by a better
acquaintance with him than the rest, declared that nobody could
pretend to have ever seen him anywhere else. His sole pastimes
were reading the papers and playing whist. He often won at this game,
which, as a silent one, harmonised with his nature; but his winnings
never went into his purse, being reserved as a fund for his charities.
Mr. Fogg played, not to win, but for the sake of playing.
The game was in his eyes a contest, a struggle with a difficulty,
yet a motionless, unwearying struggle, congenial to his tastes.

Phileas Fogg was not known to have either wife or children,
which may happen to the most honest people; either relatives
or near friends, which is certainly more unusual. He lived alone
in his house in Saville Row, whither none penetrated. A single
domestic sufficed to serve him. He breakfasted and dined at the club,
at hours mathematically fixed, in the same room, at the same table,
never taking his meals with other members, much less bringing
a guest with him; and went home at exactly midnight, only to retire
at once to bed. He never used the cosy chambers which the Reform
provides for its favoured members. He passed ten hours out of the
twenty-four in Saville Row, either in sleeping or making his toilet.
When he chose to take a walk it was with a regular step in the
entrance hall with its mosaic flooring, or in the circular gallery
with its dome supported by twenty red porphyry Ionic columns,
and illumined by blue painted windows. When he breakfasted or dined
all the resources of the club--its kitchens and pantries,
its buttery and dairy--aided to crowd his table with their most
succulent stores; he was served by the gravest waiters,
in dress coats, and shoes with swan-skin soles, who proffered
the viands in special porcelain, and on the finest linen;
club decanters, of a lost mould, contained his sherry,
his port, and his cinnamon-spiced claret; while his beverages
were refreshingly cooled with ice, brought at great cost
from the American lakes.

If to live in this style is to be eccentric, it must be
confessed that there is something good in eccentricity.

The mansion in Saville Row, though not sumptuous, was exceedingly comfortable.
The habits of its occupant were such as to demand but little from the
sole domestic, but Phileas Fogg required him to be almost superhumanly
prompt and regular. On this very 2nd of October he had dismissed
James Forster, because that luckless youth had brought him shaving-water
at eighty-four degrees Fahrenheit instead of eighty-six;
and he was awaiting his successor, who was due at the house
between eleven and half-past.

Phileas Fogg was seated squarely in his armchair, his feet close together
like those of a grenadier on parade, his hands resting on his knees,
his body straight, his head erect; he was steadily watching a complicated
clock which indicated the hours, the minutes, the seconds, the days,
the months, and the years. At exactly half-past eleven Mr. Fogg would,
according to his daily habit, quit Saville Row, and repair to the Reform.

A rap at this moment sounded on the door of the cosy apartment where
Phileas Fogg was seated, and James Forster, the dismissed servant, appeared.

"The new servant," said he.

A young man of thirty advanced and bowed.

"You are a Frenchman, I believe," asked Phileas Fogg, "and your name is John?"

"Jean, if monsieur pleases," replied the newcomer, "Jean Passepartout,
a surname which has clung to me because I have a natural aptness
for going out of one business into another. I believe I'm honest,
monsieur, but, to be outspoken, I've had several trades. I've been
an itinerant singer, a circus-rider, when I used to vault like Leotard,
and dance on a rope like Blondin. Then I got to be a professor of gymnastics,
so as to make better use of my talents; and then I was a sergeant fireman
at Paris, and assisted at many a big fire. But I quitted France
five years ago, and, wishing to taste the sweets of domestic life,
took service as a valet here in England. Finding myself out of place,
and hearing that Monsieur Phileas Fogg was the most exact and settled
gentleman in the United Kingdom, I have come to monsieur in the hope
of living with him a tranquil life, and forgetting even the name
of Passepartout."

"Passepartout suits me," responded Mr. Fogg. "You are well recommended
to me; I hear a good report of you. You know my conditions?"

"Yes, monsieur."

"Good! What time is it?"

"Twenty-two minutes after eleven," returned Passepartout,
drawing an enormous silver watch from the depths of his pocket.

"You are too slow," said Mr. Fogg.

"Pardon me, monsieur, it is impossible--"

"You are four minutes too slow. No matter; it's enough to mention
the error. Now from this moment, twenty-nine minutes after eleven, a.m.,
this Wednesday, 2nd October, you are in my service."

Phileas Fogg got up, took his hat in his left hand, put it on
his head with an automatic motion, and went off without a word.

Passepartout heard the street door shut once; it was his new
master going out. He heard it shut again; it was his predecessor,
James Forster, departing in his turn. Passepartout remained
alone in the house in Saville Row.

Chapter II

IN WHICH PASSEPARTOUT IS CONVINCED THAT HE HAS AT LAST FOUND HIS IDEAL

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"Faith," muttered Passepartout, somewhat flurried, "I've seen people
at Madame Tussaud's as lively as my new master!"

Madame Tussaud's "people," let it be said, are of wax, and are much
visited in London; speech is all that is wanting to make them human.

During his brief interview with Mr. Fogg, Passepartout had been
carefully observing him. He appeared to be a man about forty years of age,
with fine, handsome features, and a tall, well-shaped figure;
his hair and whiskers were light, his forehead compact and unwrinkled,
his face rather pale, his teeth magnificent. His countenance possessed
in the highest degree what physiognomists call "repose in action,"
a quality of those who act rather than talk. Calm and phlegmatic,
with a clear eye, Mr. Fogg seemed a perfect type of that English
composure which Angelica Kauffmann has so skilfully represented on canvas.
Seen in the various phases of his daily life, he gave the idea of being
perfectly well-balanced, as exactly regulated as a Leroy chronometer.
Phileas Fogg was, indeed, exactitude personified, and this was betrayed
even in the expression of his very hands and feet; for in men, as well as
in animals, the limbs themselves are expressive of the passions.

He was so exact that he was never in a hurry, was always ready,
and was economical alike of his steps and his motions. He never took
one step too many, and always went to his destination by the shortest cut;
he made no superfluous gestures, and was never seen to be moved or agitated.
He was the most deliberate person in the world, yet always reached his
destination at the exact moment.

He lived alone, and, so to speak, outside of every social relation;
and as he knew that in this world account must be taken of friction,
and that friction retards, he never rubbed against anybody.

As for Passepartout, he was a true Parisian of Paris. Since he
had abandoned his own country for England, taking service as a valet,
he had in vain searched for a master after his own heart.
Passepartout was by no means one of those pert dunces depicted by
Moliere with a bold gaze and a nose held high in the air; he was
an honest fellow, with a pleasant face, lips a trifle protruding,
soft-mannered and serviceable, with a good round head, such as one
likes to see on the shoulders of a friend. His eyes were blue,
his complexion rubicund, his figure almost portly and well-built,
his body muscular, and his physical powers fully developed by the
exercises of his younger days. His brown hair was somewhat tumbled;
for, while the ancient sculptors are said to have known eighteen methods
of arranging Minerva's tresses, Passepartout was familiar with but one of
dressing his own: three strokes of a large-tooth comb completed his toilet.

It would be rash to predict how Passepartout's lively nature would agree
with Mr. Fogg. It was impossible to tell whether the new servant
would turn out as absolutely methodical as his master required;
experience alone could solve the question. Passepartout had been
a sort of vagrant in his early years, and now yearned for repose;
but so far he had failed to find it, though he had already served
in ten English houses. But he could not take root in any of these;
with chagrin, he found his masters invariably whimsical and irregular,
constantly running about the country, or on the look-out for adventure.
His last master, young Lord Longferry, Member of Parliament,
after passing his nights in the Haymarket taverns, was too often
brought home in the morning on policemen's shoulders. Passepartout,
desirous of respecting the gentleman whom he served, ventured a mild
remonstrance on such conduct; which, being ill-received, he took his leave.
Hearing that Mr. Phileas Fogg was looking for a servant, and that his life
was one of unbroken regularity, that he neither travelled nor stayed
from home overnight, he felt sure that this would be the place he was after.
He presented himself, and was accepted, as has been seen.

At half-past eleven, then, Passepartout found himself alone in
the house in Saville Row. He begun its inspection without delay,
scouring it from cellar to garret. So clean, well-arranged,
solemn a mansion pleased him ; it seemed to him like a snail's shell,
lighted and warmed by gas, which sufficed for both these purposes.
When Passepartout reached the second story he recognised at once
the room which he was to inhabit, and he was well satisfied with it.
Electric bells and speaking-tubes afforded communication with
the lower stories; while on the mantel stood an electric clock,
precisely like that in Mr. Fogg's bedchamber, both beating
the same second at the same instant. "That's good, that'll do,"
said Passepartout to himself.

He suddenly observed, hung over the clock, a card which, upon inspection,
proved to be a programme of the daily routine of the house.
It comprised all that was required of the servant, from eight in the morning,
exactly at which hour Phileas Fogg rose, till half-past eleven,
when he left the house for the Reform Club--all the details of service,
the tea and toast at twenty-three minutes past eight, the shaving-water
at thirty-seven minutes past nine, and the toilet at twenty minutes before ten.
Everything was regulated and foreseen that was to be done from
half-past eleven a.m. till midnight, the hour at which the
methodical gentleman retired.

Mr. Fogg's wardrobe was amply supplied and in the best taste.
Each pair of trousers, coat, and vest bore a number,
indicating the time of year and season at which they were
in turn to be laid out for wearing; and the same system
was applied to the master's shoes. In short, the house
in Saville Row, which must have been a very temple of disorder
and unrest under the illustrious but dissipated Sheridan, was cosiness,
comfort, and method idealised. There was no study, nor were there books,
which would have been quite useless to Mr. Fogg; for at the Reform
two libraries, one of general literature and the other of law and politics,
were at his service. A moderate-sized safe stood in his bedroom,
constructed so as to defy fire as well as burglars; but Passepartout
found neither arms nor hunting weapons anywhere; everything betrayed
the most tranquil and peaceable habits.

Having scrutinised the house from top to bottom, he rubbed his hands,
a broad smile overspread his features, and he said joyfully,
"This is just what I wanted! Ah, we shall get on together,
Mr. Fogg and I! What a domestic and regular gentleman!
A real machine; well, I don't mind serving a machine."